We are currently working on versions of these LUT’s that will load directly into the monitoring of the cameras that are capable of this. Currently you will need to use an external LUT box between the camera and the monitor. Working this way enables you to use a conventional film style workflow, ie no grading onset, no DIT, just a very simple data transfer and backup I have personally done this with an Odyssey and a Terradeck Bolt, we are testing and talking to manufacturers to establish what their systems need. It is easy using Prelight to generate this type of file incorporating a “look” if you follow this route you will need to generate 2 LUT’s in Prelight, one incorporating the ACES "look"and one without.
There are two versions of these LUT’s, one with normal contrast and one with contrast reduced to 0.85, this lower contrast is my personal choice.ĪCES 1.0.3 LUTs for On-Set Preview normal contrastĪCES 1.0.3 LUTs for On-Set Preview lower contrast This is simply clicking 2 buttons withing Prelight. These LUTs are designed only for use in LUT boxes or LUT capable monitors to preview the “base look” of ACES when shooting. They should not be used in post production.
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